Witch Essentials: Book of Shadows

20170702_123906

I’m not by any means a purist when it comes to practicing witchcraft, but there are some things you just can’t do without – one of those is a Book of Shadows. More traditional witches will prefer a literal book, often choosing something extravagant. Which is fine – in all honesty if I had the budget to get a huge leather-bound tome, I definitely would. But writing things by hand isn’t for everyone and online Books of Shadows are a growing thing, either as an online journal, a word document or a public blog. Or if you do enjoy writing by hand (as I do), ther20170702_124039e’s nothing wrong with just setting aside a notebook to write down spells and rituals. Mine is a handmade one bound in fabric that I found in a beautiful shop in Whitby called Gutsy Gingers at my first Goth Weekend – if I remember correctly, it was about £14 and worth every penny. Whatever you choose, I think it’s important to keep a record of your craft.

At the very least, spells and rituals should be written in your BoS. From a practical point of view, it’s handy to have them at hand if you ever need them again. Spells for things like good luck, healing, success etc. are going to be spells you go back to throughout your life. Also if you use rituals to honour days of power in the Wheel of the Year or any other annual celebrations, using the same rites each year is a lovely way to establish a feeling of tradition. That’s how I started my BoS, also including smaller charms (things like pouches that I made). 20170702_123937

Since then I’ve expanded on it; my BoS has become more than just a record of spells, but a reference to pretty much everything I learn in relation to my craft. I’m a little bit eclectic but tend to refer to myself as an Earth witch – basically somewhere in between hedgewitch and kitchen witchery with bits and pieces of other things thrown in. My BoS reflects this, and it’ll be different depending on what kind of craft you practice, what elements you prefer to work with, whether you work more with spirits and so on.  For example, I incorporate runes in a lot of my rituals and have a set that I read from time to time, so I have runes and there corresponding meanings drawn in the back cover. From then I have a few pages set 20170702_123958aside for writing herbs and their properties (both magical and medicinal), and a few more for pressing leaves and identifying which tree they are from. I add bits as I learn them, so these are less neat than the front pages – for rituals I tend to write them in rough first so I can scribble out and alter things as I go. Writing out the final version in my BoS not only is more aesthetically pleasing (which I have to admit I’m a sucker for), but it’s easier to read if you do use it again in the future.20170702_123946

 

Long story short: if you’re a witch, some form of BoS will make your practice one hell of a lot easier!

Blessed Be )O(

Advertisements

Casting Spells

 

witch
Hubble bubble, toil and trouble…

 

I’m relatively new to writing my own spells. I’ve been making charm pouches or doing small scale candle rituals for years, but as far as spells with multiple components done with the works (as in casting a circle and doing them at my altar) I’ve stuck to ones written by more experienced witches. Since the New Year I’ve been trying to write my own.

There’s nothing wrong with using other people’s methods; think of it like following a recipe. However, there are so many different ways of casting spells and so many different things you could use. I’m most comfortable working with runes and herbs so I incorporate those into most of my rituals and spells, whereas I’m less comfortable working with crystals so I tend to avoid using them. I feel very attuned to the element of fire so I do a lot of candle magic, whereas some people prefer to work with water. There’s also practical issues; I do my spells in my bedroom and my circle is about a metre across so there’s only so much movement I can incorporate into them. I’d also love to do more spells outdoors, but living in the third rainiest city in England doesn’t lend itself to outdoor rituals. Not to mention the neighbours.

A pretty solid structure for ‘spell building’ is to first know what your intent is. Say you wanted to do a spell to help you with an English exam – break that down into what you need to do well. Some key things would be communication, confidence, and a bit of good luck! Next choose what you prefer to work with; going with my preferences it would be things like runes, herbs and candles.

So first, some runes:

In order we have uruz (for overcoming challenges), kenaz (for knowledge and inspiration), fehu (for success) and ansuz (for communication). All good things for an exam!

Some herbs that might be useful include:

  • Cinnamon – success
  • Bay leaves – luck
  • Nutmeg – luck
  • Rosemary – improves focus
  • Cloves – success
  • Eyebright – confidence, wisdom
  • Bluebell – communication

As for candles, I try to find one with a colour that represents what I need. At a pinch white can be used to replace any colour (after all, white contains the whole colour spectrum), but for continuing with this example I’d use yellow (for confidence and intellect) or red (for success).

Now to make all this into a spell you need to find a way to put it all together. You could carve the runes onto your candles and chant their names while visualising receiving good results, or write your own incantation praying for good luck and success. You could incorporate herbs by putting them into a pouch and keeping it in your pocket during your exam. As I say, it’s all about finding something that feels right. All spells are an amalgamation of different components to create certain energies – again, just like a recipe. You start with your individual ingredients then put them together in different ways to make something!

So there you have it. Spellcasting really isn’t all that difficult; it’s all about using what you have at your disposal and focusing your intent to get what you want. Following other people’s rituals are a brilliant place to start but don’t be afraid to tweak them, or if you can’t find one that works for you then write your own! There are a lot of fantastic sources online on the magical meaning of herbs, and Soraya’s Witch’s Companion has a detailed section on different components and their meanings that can be used in rituals. I will be doing a post on my tumblr account of some handy witchcraft blogs, so be sure to check that out if you want some more sources!

Blessed Be )0(

Nazis: Don’t Ruin Our Runes

Appropriation of religious symbols is unfortunately neither unusual or new – a particularly prominent example in recent years is the appropriation of Native American religious attire at festivals. While the damages of this kind of ignorant appropriation are well worth discussing (I’ll provide some links below of informative articles on the topic), this post focuses on appropriation of a more sinister kind; one that affects me very personally. That is the racist appropriation of pagan symbols by Neo-Nazi and other fascist groups.

This isn’t a new thing either. Most, if not all, symbols now associated with Nazism were pilfered from religious traditions. The swastika itself is originally a Hindu symbol of good fortune, and was used in religions worldwide. In some traditions, it is a sun symbol, in some it is a symbol of eternity. Never, until the Nazis claimed it, was it used to represent racial superiority. I wish I had known this when I went past a house near mine belonging to a Hindu family that had small swastikas designed into the glass above the door! The Iron Cross also has Celtic origins; the equidistant cross represents (among other things) the meeting between the material and the ethereal, and the main four festivals of the Wheel of the Year (which makes it particularly relevant to Wiccans and other modern pagan traditions that celebrate traditional Celtic festivals).

However, in recent times Neo-Nazis are more discreet than having a swastika-emblazoned armband. Which leads me to the main matter – the more symbols become well-known, the more these groups appropriate them to their cause. Many modern groups have taken to using runes as symbols of their hatred. Two in particular jump to mind:

Tyr-Rune-e1310015319981

This is tyr, which is a symbol of honour and justice. I think it’s pretty obvious what a perversion it is for literal Nazis to use any symbol associated with justice.


elhaz

This is elhaz (also known as algiz or the Life rune). It denotes protection.

 

There are many more runes sneaking into white-power circles – othala (meaning the home/family), nied (meaning determination), fehu (abundance, power)… Runes in particular are a problem as pagans from many traditions use runes in their magic. Reading runes is a form of divination (I have a bag of runes myself that I use to answer questions), and as potent symbols of desirable things many wear them as charms. Some even have them tattooed, which can cause a whole lot of problems during things like screening for the armed forces. I had very seriously considered having runes tattooed on my fingers until I became aware of this.

I’d imagine the reasoning behind using predominantly Celtic and Norse symbolism stems from these being largely white countries; white power groups have tried to make the heritage of white-majority countries synonymous with white supremacy. There are two parts to the message they are trying to get across with using ancient symbols rather than creating their own; firstly, this is our culture. On its own, there’s nothing wrong with that. The real issue comes from the second part – it’s better than yours.

And honestly there’s nothing anyone can say to that other than ‘Get fucked.’

Blessed Be )0(

 

Posts about cultural appropriation:
https://www.thoughtco.com/cultural-appropriation-and-why-iits-wrong-2834561
https://thetab.com/2016/04/05/dreadlocks-white-people-83996
http://everydayfeminism.com/2014/08/honor-native-americans-without-appropriating/